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In Appreciation of Tamras Gin

It’s the Gin 2.0 era, and amongst the most exciting new entrants is Tamras Indian Dry Gin made by liquor first-timers Khalil Bachooali and Devika Bhagat. 

After about 20 gins on the shelves, we ask if we need more, and the answer is always YES! In 2014, there were 100 gin brands in the UK; by 2019 there were 750, and the numbers are still growing. There is probably room for dozens more in a country of our size, with its large bouquet of botanicals and unparalleled love for spirits.

But even among the new brands in the market, Tamras, which like most of them, is also based in Goa, stands out for its vast spread of botanicals, the manufacturing process, and even the personality of its bottle. It is also the first gin brand to open its gates to the public with a visitors centre in Colvale, North Goa, and a cocktail bar where the experience takes the gin a notch higher.

Of the two founders, Devika Bhagat was first introduced to gin by a friend in London in 2008, and she befriended the drink promptly. Khalil Bachooali drank whiskies till he met Devika, and as the rule goes, what she drinks, he drinks. He fell in love with gin as well. Devika is a highly respected screenwriter known for films like Manorama Six Feet Under, Bachna Ae Haseeno, Ladies vs Ricky Bahl (2011, and Four More Shots Please! on Amazon Prime, while Khalil produces TV commercials.

Khalil Bachooali and Devika Bhagat.

One rainy day in 2018, they found themselves  stranded in a London bar. With nothing else to do, they embarked on a gin tasting spree with the bartender. Like many other good stories that began over drinks, Tamras’s journey probably started here. After two years of backpacking in the gin universe, hunting for knowledge, wisdom, and botanicals, they dropped anchor in Goa in 2020, amidst the first COVID wave. They set up their company Adventurist Spirits Distillery, and began work on the distillery with help from Julia Nourney, an award-winning distiller from Germany. The process took about a year. They waited until the pandemic eased to launch Tamras in December last year, first in Goa and then Maharashtra.

Tamras is a Sanskrit word that means copper (tam) and extract (ras). It is also an ode to the copper-still distillation process they use. The ingredients they use are a complex combination of  16 botanicals handpicked from across the globe – juniper berries (Macedonia), coriander seeds, lemon verbena, orris root (Morocco), angelica root (Poland), black cardamom, cubeb pepper (Indonesia), grapefruit (Egypt), fennel, green cardamom, lotus flower, lotus seed, mausambi, Indian lemon, Nilgiri tea, and Indian mint (India).

What makes Tamras stand out further is the five-step production process. The base spirit is made from the finest Basmati rice procured from Punjab. They offered me a sip to taste when I visited the distillery. More important than the botanicals is the fact that if any gin-maker offers you a sip of their base spirit, that’s the first sign of quality.

The Tamras base gin is distilled with 12 of the 16 botanicals. However, whole citrus fruits, Nilgiri tea, Indian mint, and lotus seeds with flowers are distilled individually and separately because of their differing points. The five resulting distillates are finally combined slowly and reduced to the ‘imperial’ bottling strength of 42.8% over 28 days, ensuring their extended stay on the palate, which Julia learned from Cognac distilleries in France. In all, it takes at least two months before a bottle of Tamras is ready! No one does that in India.

With an encyclopaedic list of botanicals available in India, we have a problem of plenty. What to select and what to leave out is a challenge that every Indian gin maker is up against. And most end up with just a few ingredients to keep things simple. Devika and Khalil had no such inhibitions. As revealed earlier, they use as many as 16 botanicals from as many as six countries. In keeping with their company name, they have been genuinely adventurous.

I was lucky to have Khalil as my guide when I visited the distillery recently. He lives and breathes gin. He is enthusiastic, energetic, and dynamic. Keeping up with his energy level is challenging. It is a minimalist, well-designed distillery that could easily pass off for an artsy hotel’s lobby. The 230-litre German Müeller copper still, which they have named ‘Odysseus’, sits at the centre as the crown jewel. I tasted the base spirit, individual botanicals, and the five individual distillates. This was followed by the gin tasting process. I tasted it neat,  on ice, and with Indian tonic water. All of which provided their unique experience and a complete journey of sorts.

Taste-wise, Tamras provides a juniper-forward front that slowly makes way for the spices like cardamom and coriander, followed by green and orange citruses and mint, with tea closing it with a peppery zing on the palate. In a blind tasting, it jumps out of the glass for its vivacity. With a splash of tonic, the palate becomes playfully candied, with an elegantly rounded nose and a balanced flavour of spice, citrus, and earthy flavours.

My fondest memory of the distillery visit was the stories about how Khalil and Devika picked each of the botanicals. The only thing that topped the storytelling was the Negroni and a lazy Martini that Khalil graciously fixed for us. The distillery is open for visits through prior booking, and if you’re in Goa, it’s an unmissable experience.

Of all the contemporary gins in the market, Tamras is indeed unique with its strong personality. I’d be happy to sip it on ice, as I do with Pumori and Hapusa, or in a Martini, as I do with Stranger & Sons and Terai. Its intense and complex aromas last much further than most other gins. I can sit and imbibe it all day long. 

Retail Price: Goa: Rs 1950, Mumbai: Rs 3200. Coming to Delhi soon.

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New Visual Identity Reflects Confidence

How do you know Indian wines are marching ahead with confidence and pride? Its when the biggest producer makes an identity revamp, and departs from their mascot, that too for their top liquids. Its not only a courageous statement of individuality, but also Indias proclamation of its induction in the serious winemaking society. The big bright sun smiling across Sulas label has been synonymous with many Indians first encounter with wines. Their classic range has been the benchmark for relishable & reliable wines in the nation. Their top brass, however, is now nonchalantly moving away from this nostalgic grip. First The Source, and now with the new vintage release of RASA, Sula is humbly retiring from the guidance of that sun. Their new visuals are effortlessly modern-contemporary, sleek, and minimalistic, displaying the elegance and class the bottle encapsulates.

Disseminating Wine Education

From their beginnings in 1998, the giant Sun has brought promise of quality, consistency, and vivaciousness. Now, neither the Sun, nor the family’s name is to be seen on the top labels anymore! Rasa is Sula’s celebration of craftsmanship and its best vineyard sites. It now carries a neat white label displaying only the essentials – name, vintage, varietal, and Nashik, India. And it is not just the efforts being put in reconstructing the label, but also what they hold. There has been a massive technical study and altered barrel regimen that has gone into crafting the blends. And to exhibit that, Sula hosted the first of what will be an annual affair now; its maiden Monsoon Tasting with a select few sommeliers. In a two-day rendezvous between their winemakers and the invited professionals, Sula hosted several masterclasses to make professionals experience the subtle nuances that make the final blend. The exercise did put the professionals in the winemaker’s shoes; getting engaged in tasting raw liquids from tanks, different barrels and oak styles, and more. In a first for most, the winemaking brigade gave the guests the work of blending their own cuvee, which was as educational as it was fun.

Reflecting Confidence on the Product

Now if someone asks, is it a gamble for Sula? Have they made the label too simple? Ibelieve otherwise. India is picking up accolades across the globe at reputed international competition purely for its quality. Till that remains unchanged, all doubts are unwanted. Reading Sulaname on the bottle is definitely assuring, but even more is their self-confidence in their liquids that stands out, sans the branding support. 

Fratelli has rebranded and so has the international powerhouse of Chandon. Changing their visual identity is always challenging and a risky task. But with a global agreement in Indiaproduce, it seems more assured. At the same time, a commanding message to the denizens, to look beyond the label.

First published in Spiritz.in,2022

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7 Craft Gins For The Discerning Indian

Our list of homegrown gins that signal the start of…

The gin craze in the country is widely believed to have started in 2017 with the launch of  Greater Than by Nao Spirits, India’s first legit craft gin. It sparked a wave of launches of locally made gins, with more than a dozen of them now jostling for space on the shelves in the local alcohol store.

As it invariably happens, tastes evolve, and gin enthusiasts are currently looking for something different and refined. Indian gin distillers are responding with innovative manufacturing processes, better botanicals and never-seen-before ingredients, sourced indigenously and from abroad.

Many of them have launched (or are ready to launch) the second(and in some cases second and third) variations of their flagship brands. Here’s our list of gins for the discerning Indian drinker:

No Sleep Gin

Juniper Bomb was their first limited release gin which left bartenders and gin enthusiasts equally excited. And now that the consumer has become more discerning, Nao Spirits has a new gin that will help you even beat sleep. Ah, stay awake so you can drink more, brilliant idea, I say! The country’s first coffee-infused gin, No Sleep brings together India’s two fastest-growing beverages – gin and coffee – to create an exciting mix. It is devoid of any added colour, flavour, sugars, or extracts.

The gin distillates are infused with Sleepy Owl’s cold brew resulting in a bold coffee aroma complemented by the crispness of GT. Drink it as GinTo with a slice of orange, a Negroni (with Disaronno), or even an espresso martini; the choices are endless. I like to sip it just neat.

Rs 1000 in Goa, Rs 1850 in Mumbai

Pumori Ascent Barrel Aged Gin

The good people behind Pumori gin, Woodburns whisky, & Segredo Aldeia rums at Fullarton Distilleries are soon launching the country’s first barrel-aged gin. It’ll boast of 12 carefully selected botanicals distilled in small 200-litres tanks that allow the distiller to keep a close watch on the process.

It is then aged for about a year in American oak whisky barrels before being bottled. The gin’s personality gleams with the character of the local Himalayan juniper—  rustic, woody, with a feel of an early morning forest walk in the mountains.

Price:  TBC, release expected around February

Gin Jiji Darjeeling Dry

Gin Jiji Darjeeling Dry

Boasting a GI tag for its heritage, Darjeeling tea is arguably the best tea globally. Add to that the essence of Himalayan juniper that’s unlike any other in the world, one that can only be foraged and not be cultivated. Gin Jiji is the result. But it is much more than that. It marries Himalayan and Macedonian junipers with a mélange of other Indian botanicals.

You can taste the tannins and mouthfeel of tea, punctuated with the aroma of the botanicals. The subtle spirit is an open canvas when it comes to how it should be consumed — with tonic, garnishes, or any other way you think is right.

Not available in India yet. Keep an eye on the shelves for a surprise.

Perry Road Peru

Teaming up with the culinary greats of Bombay Canteen, Stranger & Sons created India’s first distilled cocktail with pink guavas, aka Peru, as the star. It was launched at the end of 2020 as a  limited edition release. It was a runaway success and now returns for a more extensive nationwide release.

The delicious flavours of fresh perus meet the usual gin botanicals served with a generous dose of chilli-salt mix. Drink it by itself in a coupe/cocktail glass,  over ice, or in a highball with a splash of tonic. Grab a bottle or two when you see it. Even this new edition is a limited release.

Rs 2999 in Mumbai

Spice Trade & Trading Tides

These two gins represent the first global collaboration for an Indian gin, a celebration of growing trading links between India and Australia. Spice Trade is the lovechild of Stranger & Sons and the makers of the Aussie Four Pillars gin, part of the latter’s Distillers Series collaboration.

Stranger & Sons provided a select few local botanicals, including Teppal (Goan take on Szechuan pepper), black cardamom, and chillies, to which the Aussies added macadamia, cashews nuts, and lemon myrtle, amongst others, to craft a unique international spirit. To honour the Indian Ocean connecting the two countries, we suggest it be served with a garnish of lime and a pinch of salt.

For Trading Tides, the Aussies sent their basket of botanicals, including lemon myrtle, anise myrtle, and river mint. The Indians added desi mangosteen, kokum, and tamarind, etc. The result is an uber-cool Indian international gin that’s an easy sipper and an effortless charmer. A limited supply of both is expected to hit the shelves soon.

Approx Rs 3500 in Mumbai

Samsara The City of Pink Gin

The aromatic Samsara was already a crowd-pleaser, and now a new buddy makes things even more exciting. By introducing India’s first pink gin, Samsara has opened a category that is only bound to grow. Keeping Samsara’s original gin as the base, Aditya Aggarwal and his Goa-based team at Spaceman Spirit Lab have added nuances of rose petals, strawberries, hibiscus, etc., to create an exquisite new gin.

I’d drink it neat and chilled for its aromatic appeal alone. If not straight up, try it with a splash of prosecco or lemonade, which awakens the essences and delivers a perfumed glassful. At 37% abv, it is advisable to have just a single-serve, as long as you can resist the lure of a great gin.

Rs 1800 in Goa 

(Image Sources: Maria Avdeeva (Unsplash), Spaceman Spirits Lab, NAO Spirits, Fullarton Distilleries, High Road Spirits, Stranger & Sons, Four Pillars)

 

First published in MansWorldIndia, February 2022

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Old Habits Must Give Way To New

The creature of habit has been coerced to crawl out of its den, shuffle, and redefine its praxis. Frequent lockdowns coupled with seating and timing restrictions at sporadically opened restaurants have pinched the imbibers of fine wines. It has moved them to find new environs and ways of buying their favourite labels. Has it initiated a new trend, is it to stay, and does it change the modus operandi for hospitality outlets, enquires sommelier Gagan Sharma.

BUYING LOCALLY

Packed inside, home drinking has gained unprecedented favourability. Stats suggest nearly 30% of people are going to cut back on going out, whether for drinking or other leisure activities. This pessimistic response to the pandemic, however, has favoured the fine wine markets with imposing effects. The affluent, distant from their periodic wine travels, foreign shopping holidays, and luxurious purchases, are noted to be sourcing their tipples locally now. Chintamani Kaigaonkar, the President of the International Wine & Food Society’s Mumbai chapter, has been a renowned hedonist and a collector. “Earlier, we travelled and collected premium wines and brought them back. With the onset of the pandemic, our cellars soon ran dry. We were forced to look at what’s available around us, albeit not being habitual to buying locally. Be it their rather basic collection, concerns with poor retail storage, or uninspiring experience at the stores, this option remained non-existent”, he says. This complete curb on duty-free purchases and inaccessibility to hotels served retailers an unrivalled opportunity which they clutched with both hands and desirably upped their game. The outcome? Better spreads and experiences advocating the potential of retail purchasing. And now, even with the reopening of the previously preferred alternatives, this approach continues to find amity.

“For fine wine drinkers, the idea of MRP was a new learning. Their choicest wines being available at such affordable prices was a revelation. So, the shift and its hearty acceptance came effortlessly”, says Vishal Kadakia, purveyor of fine wines in Mumbai at WinePark. 

While OIV reports a 3% fall in global wine drinking in 2020, there’s been a noticeable move towards wines by the spirits-favouring and beer-guzzling junta. And not just the shift, there’s been premiumisation as well. While Vishal still regards the INR2000-3000 bracket as the sweet spot, Amber Deshmukh who heads wine sales at Mumbai’s affluent Hops & Corks says the INR8000-15000 bracket has seen the maximum growth. “People didn’t know these wines were also available in retail, and now that they do, it’ll be a continuous practice”, he adds. “There’s direct connection with a learned professional, a conversation, honest advocacy of what best suits their liking, and a learning in the process, all of which adds to the experience and enforces confident decision making”, Amber adds. And this personalised experience is the inevitable precursor to inducting someone into the fine wine milieu.

A line-up of top Indian wines. Retail sales of premium wines in India are growing exponentially

JUST A CLICK AWAY

Another blessing in disguise was the allowance of online ordering and home delivery of alcohol in certain parts of the country. Online sales of wines, according to the Nielsen data, increased by around 234% in 2020 in the US, reaching a high of 500% in the peak of April 2020. 

WinePark introduced their online offering, called WineKart, which also includes Indian wines and labels from other imported suppliers. “It has allowed the luxury to choose with all the research and preferences laid out. There’s information on the vineyards, producer & family history, and an easy comparison”, Vishal shares. “It’s now a habit. It’s easy to buy while on-the-go, without any ridiculous markups. With buying directly from the merchant, there’s an assurance of quality, authenticity, and apt storage. Their portals offer enough information on provenance, vintage reports, authoritative ratings, etc”, says Chintamani. Add to that the convenience of delivering them at your doorsteps, that’s enough mollycoddling.

“New people have adopted drinking wines, and are now looking at finding better offerings. They want to learn better and upgrade. People buy when they drink, and they’ve brought everything. We’ve brought those who went to hotels to drink good wines to buy them from retail. It’ll be tough justifying paying such markups at hotels now”, says Vishal confidently. Premium Champagnes have seen a decline, probably since there wasn’t much to celebrate, but Barolo, Napa Cabernets, Amarone della Valpolicella, Bordeaux reds, and Super Tuscans have soared. The most interesting vogue has been the seven-fold rise in Rose wines. “We had one Rose from South Africa, today our selection has grown to approximately 10. Plus, we have Indian Roses on WineKart too”. Now that’s a bent Roses have been waiting for for ages!

ATMANIRBHAR INDULGENCE

Minus the quintessential international styles, fine wine drinkers have graciously turned to Indian offerings. It has been an astonishing revelation not just for them but for common oenophiles. I’ve openly expressed my adulation for Indian produce and how they’ve championed their offerings in the past decade. The pandemic stripped off the facades and allowed simply looking at liquid in the bottle. And voila! The spotlight now also includes finer offerings from the backyard. Sula’s Rasa and The Source, Fratelli’s MS and Jnoon labels, Grover’s La Reserve, Chene, and VA collection were always the leaders. Add to that the niche producers too. KRSMA’s varietal reserve wines, Vallonne’s Viognier, Rose, and Riesling, Reveilo’s reserve wines, and Merlot, and York’s HBlock Chardonnay & Rose bubbly have found commendations from the guardians of fine palates. Their consistent value for money offering and easy accessibility is unparalleled. “Earlier, we would take what was being served at a soirees. Now, trying them on our own, there’s been learning. Indian whites and sparkling wines specially are of superb quality. Exploring them has been a big, pleasant surprise”, boasts Chintamani. 

Sula’s flagship RASA Cabernet Sauvignon in its new avatar
Grover’s La Réserve Chardonnay and Pinot Noir from Burgundy

Indian producers have collectively said that their focus has now shifted to retail. Leaders like Sula, Fratelli, and Chandon have even resigned their labels to lure the eyes of a seeking oenophile. While diners may still not go to hotels and pay 3X the mark-up on Indian wines, they’re happy to open one frequently after a busy day of working from home.

A CRY FOR CHANGE

Physiologists say it takes 66 days to change a habit. The lockdown has allowed way more than just that. And it now poses a concern for the hospitality industry. With shrunken take-homes and ample restrictions, they’re still awaiting the pre-pandemic normalcy. “While people are stepping out for beers, cocktails, and meals, wine drinking is still reeling off of the effect”, Vishal notes. Home drinking will continue and so will the online purchasing habits. “I don’t even mind paying a 100% markup on premium Indian wines, but now we realise that on premium wines is absurd. Hotels will have to give us a reason to spend as much”, Chintamani says. 

Once international tourists start pouring, there might be an uptick, but for now fine wine sales at hotel & restaurants will remain low. And to lure the local denizens, hotels will have to restructure. Their offerings will have to become more dynamic and lucrative, more importantly the pricing will have to be aggressive and sensible. The 2X-4X markup strategy will not yield optimum results. Chintamani suggests it’s a good time to introduce corkage, a system where hotels allow guests to carry their own wine and charge a minimal service fee. It’s prevalent in most wine-friendly countries, not in India. If the creature’s habits have changed, so will have to be of those catering to them. 

Most oenophiles graduate to finer nectars eventually. All it takes is a bit of handholding, enlightenment, and favourable trials. With this influx of new enthusiasm in the providers and the consumers, it’s already bridged the gaps and will continue only to get better. A new-age approach is soliciting a change from retailers, tasting rooms, and hotels. And it’s the right time to offer that, for once the creature returns to its den, it’ll take multifold the effort to lure it out again. 

 

First published Sommelier India Wine Magazine, 2022

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Coffee Meets Alcohol: The Best Of Both Worlds

There’s something civilised about drinking a cocktail. And during the lockdown, we needed it more than ever to distract us from the boredom. Another drink that kept us sane and cheery was coffee. I can’t imagine starting my day without a crisp cup of medium roast, pour-over, that’s preferably from an Indian estate. It wasn’t surprising then that someone had the idea of combining these two lifesavers — coffee and alcohol to make one single drink. The most-consumed cocktail during the pandemic was the Espresso Martini!

Over the last decade, the surging popularity of coffee and cocktails have resulted in innovations among vendors and helped us better our appreciation and understanding of these products. Words like craft roasters, single-lot coffees, grinds, roasts, brewing techniques, nitros, AeroPress and pour-overs, have become a part of our vocabulary and changed the way we consume our favourite beverage. A similar change has been underway in the alcohol and cocktail space as well. Mixers, syrups, tonics, craft beer are now part of everyday conversations. 

The coming together of the two fast-growing craft segments have resulted in a new breed of drinks like the Espresso Martini. And it is just the beginning of what is promising to be an excellent future for coffee-accented tipples.

Nitin Vishwas of Moonshine Meadery breaks this phenomenon down. He says the specialty coffee brands have done a ton to educate the consumer. “They’ve been pushing the envelope and making big waves. So have been the craft alcobev producers. It’s only natural for them to come together,” he explains. 

Aman Thadani of Fullerton Distilleries declares that doing something with coffee was always a part of his plan. He sees an overlap in consumers of the two beverages. “Mixing coffee and craft alcobevs isn’t new, and with the craft spirit movement in India growing in confidence, it is only natural for them to try new things,” he says. 

Here we look at a few exciting new products in the market that do a good job of combining coffee with alcohol. 

Malabar Stout

Bira 91 and Blue Tokai joined hands to put an Indian coffee-accented brew on the world map. The limited-release Malabar Stout is a celebration of the coming together of the Indian craft beer movement and the beautiful coffees of South India. The rich, malty stout with a chocolate flavor that India loves gets a power-packed, aromatic, cold brew boost from select south Indian coffee estates. Bira 91 founder Ankur Jain kept coffee at the centre of the recipe while crafting a beer that accentuates its nuances. The result is an outstanding brew that is robust and impressive. It has a creamy feel and a chewy, malty character. The acidity in the cold brew cleans the palate and makes you return for the next sip. (Mumbai: Rs 170, Bengaluru: Rs 130, Noida: Rs 120)

Coffee Mead and The Collab Project X Subko Specialty Coffee

Mead is not beer. It is largely unknown in India though we created and gifted it to the world; think of soma from the Vedas! Pune-based Moonshine Meadery is the pioneer of modern-day mead in India and probably Asia. Besides their traditional mead, which is a fermented honey drink, they have crafted a coffee mead – a combination of the founders’ two first loves. While Nitin Vishwas is a coffee fanatic, Rohan Rehani is not just an enthusiast but he’s also part of the jury at the Indian Aeropress Championship. 

During their home-brewing days, Nitin threw a handful of coffee beans in his traditional mead, and the result was an instant wow! Their friends loved it, and the founders knew they were on to something. The soft, mild taste showed what a good coffee and a well-made mead could do together. Meads are gluten-free, vegan, with honey at its base, and environment friendly — easily amongst the most sustainable drinks. Pair it with coffee, and you have a morally conscious morning in a glass!

Later, when Rahul Reddy of Mumbai-based Subko Specialised Coffee Roasters reached out to them to get one a project together, it led to a ‘collab series’, the results of which are now sold under the brand name ‘The Collab Project X Subko Specialty Coffee’. It was done in a true spirit of cooperation. Rohan’s company aged the raw green coffee beans in a traditional mead and sent it back to Subko. It was dried and roasted there (they even turned part of it into a coffee, which was on the Subko menu for a few days. I was lucky to be in Mumbai at that time and I loved it). The coffee beans were coarse-ground by Subko and returned to Moonshine to be turned into a specialty mead! The result? A concoction with a boastful coffee character and nuanced notes, one that needs time to open up and patience to appreciate. If it were a wine, I would’ve decanted and let it breathe before sipping — not straight from the bottle, but in a wine glass, at room temperature, like how a fine tipple deserves to be had. The current lot is a limited edition of 1000 bottles. But I am told new coffee meads are on their way. (Coffee Mead, Mumbai: Rs 185, Goa: Rs 140; The Collab Project X Subko Specialty Coffee, Mumbai: Rs 240)

Greater Than Coffee Negroni/Gin

No craft spirit wave has been as impressive as the gin revolution in India. Greater Than, from Goa-based Nao Spirits, was among the earliest to innovate in the game with their limited-release Juniper Bomb. Launched in 2017, Greater Than was India’s first craft London Dry Gin, and there is always an expectation from the founders of the company to up their game. With the pandemic pushing everyone indoors, it allowed them to go loco with experiments.

Co-founder Anand Virmani remembers his distillers bringing him a carton of experimental distils, of which coffee-infused ones instantly stood out. Having experimented with pink gins, juniper styles, citruses, and spices, coffee was a no-brainer for Virmani. At their `bar-takeovers’ across the country, during the early marketing days of Greater Than, he had served a signature cocktail of gin, tonic water, and a cold-brew float called ‘No Sleep G&T’. To create a Coffee Negroni, they reached out to coffee maker Sleepy Owl to source medium roast beans from Chikamagalur. The beans were steeped in water for about two days to create a sturdy cold brew, and then, instead of cutting the distillates with demineralised water as is the norm, it was cut with this strong cold brew. The result is a gin mix with no added sugars, colours, or flavours, except for the crisp and bold coffee expression and fruitiness. It can be drunk with a splash of tonic, an espresso martini, or as a cool coffee Negroni. (Goa: Rs 1,000, Bengaluru Rs 2,400, Mumbai Rs 1,850)

Segredo Aldeia Cafe Rum

Gin may have got all the attention these days, but there is as much action on the rum front too. And among the more popular recent launches has been Segredo Aldeia cafe and white rums from Aman Thadani’s Goa-based Fullarton Distilleries, which also makes the Pumori gin. Aman is also a coffee enthusiast, so it was only a matter of time before he began experimenting with a coffee-rum combination. 

Single-origin coffee beans were sourced from South India, dark roasted, and later infused and sweetened with cane sugar. This jaggery spirit was aged in ex-Bourbon casks and mixed with unaged cane spirit made in a rustic Rhum Agricole style. The process gives the resulting alcohol a ton of complexity, making it a fun yet serious spirit. Infusing whole beans provides a mix of coffee, cocoa, and rustic savoury characters. The sweetness makes it easy on the palate. Keep it in the freezer and pour a dram for yourself from time to time. A splash of water unfolds the spirit, opening it to full bloom. Cafe Rum is like a breath of fresh air on the Indian alcohol shelves, boasting of a new age craft distillers’ sense of confidence and the gentle push to the consumers to try something out of the box.  (Goa: Rs 1,650)

All things said, there is no saying how long this coffee-infused alcohol trend will last. According to Vishwas, overcomplicating the drink might cause the consumers to shy away from trying them. The aim should be to bring the nuances of the two craft beverages together in a way that is simple and easy to decipher.

First Published in Mans World India ,2022

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8 Perfect Japanese Whiskies To Add To Your Bar

The world’s biggest whisky market is taking to Japanese whisky with much enthusiasm, though the high prices are a significant barrier.

It is something unique to well-crafted Japanese whiskies — mysticism often supersedes their personality. They enjoy a somewhat cult following, so much so that spotting them on the shelf is at times a rarity. I thought that was an exaggeration until my brother, who was on a business trip to Japan, couldn’t score two bottles of the most decent pickups. But now, as the heart grows dearer for Japanese whiskies, so does their lineup. More brands are being launched in India than anyone would have thought even a few years ago.

After nearly a century of importing and bottling Scotch, the Japanese have, in recent times, moved towards creating unique Japanese whiskies with their own rules and appellations. It stipulates that to be labelled ‘Japanese whisky’, the spirit must be distilled from malted barley, using local water, and be fermented, distilled, aged, and bottled in Japan. They must also be aged in wooden casks for three years and bottled at a minimum of 40 per cent abv.

But what makes them so special? Firstly, when it comes to fauna, fresh air, and water, which are the backbone of any spirit production endeavour, Japan is as uniquely placed as Scotland. The vegetation and climate in the northern stretches of the country are quite like that of Scotland. However, the country’s four distinct seasons — spring, summer, fall, and winter — infuse Japanese whisky some unique characteristics that make it different from Scotch. Add to this the minerals-free water that is a Japanese speciality and the distinctly Japanese wood obtained from Mizunara trees used for making the casks in which the whisky is aged. The Mizunara, also known as Japanese oak, has to be 200 years old before its wood is turned into whisky casks, making them as rare as the whisky.

Then, there is the secrecy of the Japanese distillers. Whereas in Scotland, distillers freely exchange their liquids for making blended whiskies, the Japanese keep their library secret and are loathe to trade. All this is complemented by the country’s famously perfectionist approach to everything. Despite all this, however, it was only in 2014 when whisky guru Jim Murray declared Yamazaki Single Malt Sherry Cask 2013 to be the World Whiskey of the Year in his Whiskey Bible 2015 that the world discovered Japanese whisky. Demand has since soared to a level that has consistently exceeded supply, making them rare and more desirable.

Indian taxes are enough to mar the joy of a good spirit making Japanese whiskies out of reach of most unless you buy them from Duty Free. Further, fine Japanese whiskies are allocated to India in such small numbers that their tag often supersedes their value, landing in the hands of only a few. Who’s to stop Indians from enjoying a discerning dram? A few years ago, Beam Suntory introduced their Yamazaki 12-year-old Single Malt and Hibiki 17 Blended whisky in India, and last year came Toki, their more value-for-money proposition. And a few months ago, the company announced the launch of two limited edition labels in Indian Duty-Free stores. Now, Peak Spirits have announced the arrival of Komagatake Single Malt & Iwai Whiskies from Japan’s highest located Mars Shinshu Distillery in the Indian market.

So, what should you be relishing, you ask? Here’s what’s on our shopping list:

YAMAZAKI 55 YEARS OLD

Rs 46,59,000 (Duty Free)

Probably the most expensive whisky sold in India, it is a blend of precious single malts originally crafted by the founder, Shinjiro Torii, in 1960, and the oldest release in the house’s history. The spirit has been aged for over 55 years in Mizunara (Japanese) oak, and finally finished in white oak. A lot of 100 bottles was first released locally, and now the second batch of 100 is travelling around the world, some docking in Indian Duty-Free. The signature depth, complexity, and finesse from the house of Suntory create its foundation, further accentuated with the play of time and nature. You’re not drinking whiskey; you’re drinking history, and the continuity of a family’s guarded tradition over generations.

YAMAZAKI 55 YEARS OLD

HIBIKI 21 YEARS OLD

Rs 49,990 (Duty-Free)

Called the pinnacle of the art of Japanese whiskies, Hibiki 21 is also a limited release that’s reached India only recently, with a limited supply. A blend of grain and malt whiskies, Hibiki means harmony in Japanese, which is precisely what it delivers. It’s a celebration of the fine art of putting numerous fine spirits together to create one that inspires.

HIBIKI 21 YEARS OLD

YAMAZAKI 12 YEARS OLD

Rs 11,000 (Gurugram)

A product of Japan’s pioneering single malt distillery, Yamazaki expresses the melange of fruits, earth, and the famed Mizunara oak hues. There’s a burst of tropical fruits that make way for sweet spices and citruses, ending on Japanese oak perfume. For many, this is the very definition of Japanese whisky in India, and deservingly so.

YAMAZAKI 12 YEARS OLD

HIBIKI HARMONY

Rs 10,500 (Gurugram)

Created in 1989, the Hibiki label is a testimony to the meticulous art of putting the finest spirits together. The balance has made it amongst the world’s most prestigious and honoured whiskies. The sweet notes of honey, candied citruses, and white chocolate, marry with those of rich florals, expressing their personality over a long finish, completed by the signature Mizunara oak. When in doubt, turn to Hibiki Harmony with a dash of water, and it’ll liven up the palate.

HIBIKI HARMONY

TOKI

Rs 3,200 (Gurugram)

This is the most accessible Japanese whisky in the Indian market currently. A blended spirit, it’s an effortless sipper with all the pillars that a Japanese whisky stands on. A non-age statement from the house, it offers a mysterious play of bittersweet citruses, basil peppermint freshness, ending on a somewhat familiar tone of oak, pepper, and ginger. Serve it as a highball with juliennes of ginger and an orange slice, and let it show what Japanese youth in a bottle is.

TOKI

IWAI MARS WHISKY

Rs 4,500 (Gurugram)

Made in Japan’s highest located distiller, it was crafted by Kiichiro Iwai and draws inspiration from the greatest of American whiskies. Made primarily from corn, followed by malt and rye, aged in ex-Bourbon barrels, Iwai is quintessentially East meets West. Drink it a highball, a Bourbon Julep, or an Old Fashioned, and see it shine.

IWAI MARS WHISKY

IWAI TRADITION MARS WHISKY

Rs 5,500 (Gurugram)

Inspired from the blended Scotch template, Iwai Tradition captures the confluence of malts that are carefully aged in a mix of Sherry, Bourbon, and Wine casks, accentuated with a kiss of peat at the very end. The result — tartness of cherries, the sweetness of toffee, and the lingering flirt of ginger & spices.

IWAI TRADITION MARS WHISKY

KOMAGATAKE SINGLE MALT WHISKY

Rs 19,000 (Gurugram)

Located between Japan’s soaring Southern Alps and the towering Central Alps, at just over 2,600 feet, the Mars Shinshu distillery enjoys a cool temperature, offering slow maturation and an abundance of soft granite filtered snowmelt fed aquifers. Considered amongst the rarest of Japanese whiskies, its label changes every year along with its blend. It opens with a burst of sweet flavours of quince, melon, and tropical fruits, leading to nuttiness, of which hazelnut dominates, a Sherry oxidative hue, and a pleasantly smooth finish.

KOMAGATAKE SINGLE MALT WHISKY

First published in Mans World India , 2021

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Uncategorized Articles Cocktails Conversations Events + Affairs Spirits TippleTalk

Gin Is In!

Undoubtedly, it’s the golden hour for innovations in Indian spirits. And amongst them, the blue-eyed child are the new Indian gins. With a thick Indian accent, unprecedented brio, nostalgia-suffused storytelling, and endless trials of flavours, they’ve stirred up a storm, one that the country and its tipplers hadn’t seen before. It’s so engraved now that if your Instagram profile doesn’t have a picture of an Indian gin, you’ll easily be called a social outcast. So, what’ve these homegrown gins done, in only a couple of years, that’s arrested everyone’s attention? We enquire.

British gins were the first to catalogue their botanicals on the bottle, tell their stories, and mesmerise the global population with the idea. Neither were their botanicals local, nor were they the epitomes of storytelling. Yet, consequently it became the norm. “For the longest time, western gins were taking our story, our botanicals, and reselling them to us. Now, after decades, there’s increasing curiosity in knowing about Indian botanicals and stories”, notes Anand Virmani, creator of Hapusa & Greater Than. And so should it be. After all, we were on the Spice Route for a reason. Karina Aggarwal of Terai further explains, “There’s been a global cultural shift. Everyone’s interested in knowing what they’re consuming, its source, how they’ve been cultivated, traded, etc. And with Indians travelling extensively now, their understanding of ingredients has grown drastically. There’s a sense of pride in supporting homegrown produce and how many you’ve tried”. 

EFFORTLESSLY INDIAN

Indian households, mythology, ceremonies, and rituals have for long revolved around botanicals, florals, and citruses. Be it the morning prayers around the Tulsi plant, or nimbu-mirchi hanging on trucks & lorries, or betel leaves, nutmeg, rice, sugar on puja thalis, scents and flavours have forever been the thread holding our daily lives. Put all these emotions & essences in a bottle, and it’ll be hauntingly intriguing. Accepting them will come naturally. In what’s traditionally been a dark spirit market, no one has consciously allowed such an expression that these new Indian Gins have. And it makes complete sense why we’d effortlessly get allured by them, and not position them as snobbish, but somewhat our companion. Forget not, ease and convenience is what’s driving the world now anyway.

EASY ACCEPTABILITY

Anand recalls from his earlier stint, at Hendricks gin’s launch, people enquired what whiskies were being poured at the bar. Now, a decade on, people enquire about the gins on offer. Aman Thadani, creator of Pumori, calles dark spirits a tricky proposition. “Whiskies & rums have their histories, templates, ageing, cask finishes, terminologies, etc. All this makes them pretty technical. Gin on the other hand is a free and simpler playing field”. Aditya Aggarwal, founder of Samsara, adds “Gins are easier to talk about. They create a nostalgic recall, and forego the technical gyaan one has to invest in before picking a dram”. Vidur Gupta, co-founder of Stranger & Sons, echoes the thought. “Unlike years of encyclopaedic information crunching in wine studies, gins are easy. And their mixability & versatility makes it further playful.” Karina adds, “it’s also the image of dark spirits in India, a quirky whisky bottle can also be questionable, let alone how to drink it, or the glass of your choice. With gins, there are no such moulds.”

PLAY OF BOTANICALS + IDEAS

However, the spice box of the world has so much to offer, it could be easy to overdo. Even the thought of constructing a gin in India can be daunting. Greater Than was the first craft gin in the country in 2017. Anand recalls, “we had a clean slate and could do whatever. It was equally exciting and confusing. We started with 120-130 single ingredients, then started putting them together, and the final recipe had only 10-12 ingredients”. Vidur says “we have a problem of plenty in India. There’s an endless list of botanicals we know of and even bigger one of those we don’t”. However, “No single ingredient is going to trigger someone into liking a gin. It does become a differentiating factor though, one that enriches their experience”, Anand adds. 

In such a vast expanse of ingredients, then how does one construct a gin? “Your gin distills down from your concept. We wanted to make a gin that’s bold, stands out in the crowd, is inherently Indian, and resonates with London as much as it does with Delhi. And to achieve that, our homework was to taste over 300 gins!!”, Vidur reminisces. Karina opines “ though it’s a combination of various things, foremost are your personal preferences and knowing the palate of your audience. What reigns eventually is that it must be a product of provenance”. And the expression expands beyond just what’s inside the bottle. Aman puts it aptly, “put gin in a bottle versus a story, and you’ll see the difference. Before one picks a bottle, if you could tell them its inspiration and journey, the experience will grow manifolds”. Karina adds “from the label design to the bottle style, the gin needs to stand out, and have its own personality & identity. Consumers are also asking their tipples to be different, and it’s imperative that new gins do that.”

GINCREDIBLE INDIA

From these plethora of emerging ideas, one that shines is that of celebrating India. Our creators are proudly coining and nearly-boasting inscriptions like ‘India Dry’, ‘India Spirited’, ‘Himalayan Dry’ on their labels. But what are these terms and what do they signify? Like London Dry Gin, is there one that defines Indian gins? It’s simply too early to say. There’s no one India, in its geographic spread, cultural diversity, culinary spreads, languages, and attractions, there’re mere interpretations. And thats the most exciting feature in these new gins. They’ve celebrated India for Indians, that too at a time when our politics and a pandemic have divided us like never before. There’s a dire need for something that binds us together and makes us fall in love with our India again, and Indian gins are playing their part. 

Creators have very carefully and distinctly picked various features of India and put them in their bottles, on their labels, and in their stories. Haupsa, sanskrit for juniper, celebrates foraging local juniper from the snow-clad Himalayan mountains. A whiff of its gin teleports you to a rustic land with moist wood, petrichor, forest-floor, and fills you with a sense of adventure. Terai descends to the fertile & plush lowlands and has an imposing Indian accent through its fennel, tulsi, citrus, and floral hues, kindling a comforting assurance of botanicals you instantly resonate with. Stranger & Sons celebrates the Indian ghats and its agricultural diversity by putting a complex mix of spices, citruses, and aromatic botanicals in the hue. It teases you before it arrests you like a cruel mistress and doesn’t let you go. Samsara picked its botanical and aromatics reminiscing the scents at an Indian ceremony and the gin exhibits that in its floral liveliness, captivating secret citruses, and a regal khus note. And for once think, what do Himalayas, plush lowlands, the ghats, and Indian ceremonies have in common – nothing. And what’s India without either of them – nothing. And thats the play that Indian gins have mastered – there’s a union even in their diversity.

EMPOWERING THE CONSUMER

Finally, at a time of home drinking culture, where conversations around a refined drink have become the norm, gins are providing a reason to celebrate. Aditya exclaims “there’s a lot to resonate for everyone from a single sniff and sip of a gin”. Karina agrees and adds, “there’s a level of familiarity Indian gins offer, be it in the botanicals, or in their names, or designs”. Gin & Tonics have become the new norm. Vidur isn’t surprised, “we are a hot & social country, drinking chilled tall drinks makes sense”. Anand is on the same page and says “we’re in a country where whiskies are our almost national drink, but why? Drinking ideas from the EU don’t make sense in India”. Aman opines “consumers have elevated their game and for them a gin’s not a gin, a tonic’s not a tonic anymore, it’s much more”. 

Karina takes it a step ahead and claims “you can’t do anything wrong with gins, add any cordial, flavours, syrups, tonics, sodas, garnishes, throw them in any glass and it’s acceptable. Do that to a single malt whisky and you’ll get stares from every corner of the room. Unlike with some other spirits, here the consumer decides how they appreciate it. And you might be the only one who has that concoction in that pincode, which is so empowering”. And even for a humble G&T, Aditya says “there’s such sincerity in the process – cutting the fruits, getting the ice, picking garnishes, apt glassware, which elevates the aesthetics of the drink and the drinking ritual.” Sounds pretty civilised, eh!! 

India was always celebrated for its precise craftsmanship, and botanical offerings. With over a dozen gins on the shelves already, and many getting dressed to be unveiled, all in a span of 4 years, the gin revolution has been announced. There’s such promise in the category that one can’t help but anticipate more exciting introductions. If you haven’t befriended and added Indian gins to your repertoire, do it promptly. This wave isn’t calming down. 

 

First published in Sommelier India The Wine Magazine  2021

Categories
Articles Cocktails Conversations Events + Affairs Spirits TippleTalk

Whether Shaken or Stirred, There’s Nothing As A Well – Mixed Cocktail

We can’t call it a complete pandemic after all. There’s some tasteful good that’s come out of it. The time off has allowed creative minds to put their ideas to play and it shows in the burgeoning Indian alco-bev space – exciting new gins, releasing craft rums, and a plethora of mixers crowding the shelves. And now, breaking the chain of conservative cocktail consumption are the new breed of bottled and canned cocktails, aka ready-to-serve (RTS). Mr Jerry’s & InACan cocktails are changing the way we perceive and imbibe our cocktails outside of those bars that have unfortunately remained shut most of this while.

 

It’s not a new category, rather it’s been a dominant one, especially for the giants. Smirnoff, Bacardi, Jack Daniels, Jim Beam, Absolut, and Malibu have already been animating the scenes with these mixes for decades. The global RTS cocktails market was valued at USD650 million in 2019, and was to grow at a pace of 21% till 2024. However, the onset of global lockdown has shifted the patterns and sent the segment on a skyrocketing trajectory, some now expecting it to garner valuations upto USD32 billion by 2024 closing. Our two homegrown Goa-based brands have brought India to add to this revolution.

Mr. Jerry's Cocktail

The sparks of genius flew during the first lockdown, in 2020, when spouses Mrinal Manu & Rincy Verghese couldn’t step out to meet their buddies over a few drams in true Goan fashion. “One evening we had Arijit Bose over. As usual he took over the bar and made some cool drinks, and we happened to discuss how fun it’d be to have a bottle of cocktail which we just open and pour and get a bar quality drink with perfection anytime”, recalls Rincy, co-founder of Mr. Jerry’s. 

From a casual discussion, things started moving fast, with phases of trials between the undisputed cocktail prince of India, Bose, and the suave ambassador of spirited times, Pankaj Balachandran, at their setup, CounterTop. “Sourcing the right ingredients wasn’t a challenge since at Blue Ocean Beverages, we make heaps of spirits and bottles for many major Indian-international brands”, says Rincy. Pankaj adds, “we decided to come up with cocktails that everyone could relate to. We created all the flavours in-house, and to maintain the authenticity of flavours we use some standard branded ingredients as well.” The first lot of Mr. Jerry’s offers 6 varieties in neat 500ml packs offering about 5 serves each at mere INR550. That’s a steal! LIIT was an obvious choice, Mrinal pushed for an Old Fashioned, Pankaj was adamant on doing a Negroni, a Cucumber Elderflower Fizz adheres to the growing gin craze, and then there are the crowd pleasing Espresso Martini & Mai Tai.

 

An ode to the great grandfather of mixology, Mr. Jerry P. Thomas, the concept was designed to please with ease. Partially because of the lockdown, the focus has stayed on capturing the retail market. “You don’t have to go out for a swanky drink, simply stay home, get Mr. Jerry’s, follow the instructions, and experience a great cocktail with precession”, Rincy exclaims. During the year-end tourist rush, they have also noted a demand from small bars who wish to serve great cocktails but don’t have an elaborate setup or a great mixologist to execute. Also, beach shacks that generally serve great food and chilled beers have taken a shine towards these cocktails. “They become efficient, limit their waste, don’t need expert staff, and earn a decent margin on these already well-crafted mixes, it’s a winner”, Pankaj observes.

Outside of Goa, Mr. Jerry’s is already making waves in Mumbai and Bengaluru. They’ve received a great welcome, especially thanks to their allowance of home delivering alcohol. And not just a few local cities, Mr. Jerry’s has already caught the attention of a few fine palates abroad and the talks are on!

Their cocktails range between 20-33% abv, and aren’t your typical rip & sip proposition. I loved their Espresso Martini, Negroni, and the Old Fashioned. And maybe since I’m going through a Mai Tai phase, it was my favourite, with all those sweet spices & nuttiness. An excited Pankaj spilled the beans and alerted me to anticipate new flavours coming out later in the year. Shhh… you didn’t hear that. 

In A Can Cocktails

The first canned cocktail in India, InACan, is putting convenience and portability first. Brainchild of Sameer Mirajkar & sommelier Viraj Sawant, the idea was conceived first in March 2020, with exhaustive R&D, foraging ingredients of provenance, that would elevate the resultant outcome. The Pune-based duo brought in the Mumbai-based champion mixologist Varun Sudhakar for product innovation and carefully fixing the mixes. With three rounds of tasting over 200 samples, created at their Goa facility, the trio fixed on 5 essential flavours – LIIT, rosemary-spiked Gin&Tonic, Whisky Collin with apple and cinnamon, a refreshing Vodka Mule, and Rum Latte which is their take on rum & cola with a twist of hazelnut. Apart from being in a can, all the drinks are carbonated, and use only natural ingredients, weigh less than 100 calories per serve, and are at a low spirited point of 9-13% abv. And at INR140 for a 250ml serve, they’re taking all the reasons why not give it a go.

 

Viraj recalls that they didn’t ever think of getting into cocktails per se, the idea was to take something conventional and innovate it. Convenience and portability of RTSs offers consumers safe access to high-quality cocktails amidst bar and restaurant restrictions. “All big countries are moving towards this segment. In 2019-2020, RTS cocktails have seen a 100x growth in SE Asia, Europe, America, and Australia. Companies like Bacardi are having a hard time keeping their products on the shelves”, Viraj comments. “While getting into this, we knew it’ll be an uphill task for a year or so, there are some obvious challenges there, but that’s everywhere”, he adds.

 

When Varun joined the team, he shared his idea with the duo of recreating a cocktail bar experience at home. They concurred about creating a quality product first, and then working out the pricing. And now that it’s already launched in Goa with exceptional success, Viraj already sees the possibility of placing them at banquets, mini bars, brunches, pool parties, in the travel sector, and at music festivals. “Opportunities are endless”, he adds. 

The mixes are meant to be drunk straight from the can, and taste even better from the glass. Rum latte was my favourite with whisky collins a close second, and the vodka mule definitely earning commendations. 

The Future

Lovers of craft beer and artisanal wines have readymade options at retail stores; cocktail fans don’t. Mr. Jerry’s and InACan have added to their choices. Consumers are driving the demand for ease, portability, and quality. RTS cocktails fit into their busy lifestyle and still taste as good as they did at their neighbourhood bars. And it’s an unprecedented era for cocktail drinking in India. Our mixology game has gone up and consumers have become conscious about what they put in their bodies, stories behind their drinks, their origins, the right etiquettes, etc. To deliver all that with ease, and class, without sacrificing the quality is the absolute key. And just as they’ve adapted to working from home, they’ve found ways to enhance entertainment and social occasions at home as well. After all, there’s something about drinking a cocktail that makes one feel civilised and it’s particularly reassuring during the time of a global pandemic. 

First published in Sommelier India The Wine Magazine

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Articles Events + Affairs Personalities TippleTalk Trade Wines

Krsma Wines

PASSION, PATIENCE & PERSISTENCE

Tell someone India makes wines, you’ll get an absolutely surprised face! But then, tell an Indian that we make wines in Hampi Hills, and that’s a bigger shocker. And they find themselves further astonished upon tasting the wines that KRSMA Estates, the sole vintners in the archeologically rich UNESCO World Heritage tagged region, have been crafting. Yes, not producing, crafting. As they complete a decade of successful winemaking, its been one of turning odds in their favour, putting Indian wines on the world map, and redefining what human passion, patience, and persistence can yield.

If you know of KRSMA, you’d know the story of Krishna Prasad and Uma Chigurupati, christening KRSMA through the union of their names. Krishna got his first taste of wine at an early age through a bishop from the Vatican. And it arrested him like a cruel mistress that wouldn’t let go. Uma only learnt about the extent of his passion when after their marriage she moved in to their 2BHK apartment and appointed herself as their home-winery’s cellarmaster. The bug caught her too, and soon they found themselves enrolled in a winemaking course at the University of California, Davis. All this, while Krishna was engrossed in his professional pursuit of creating amongst India’s largest pharmaceutical company. In due time, with that running full-throttle, and kids settled in there disciplines, the duo shifted to their vinous desire of creating a winery. With a dream to setting up in South France and Tuscany, they chanced upon a plot in Hampi Hills in 2009 which they fell for effortlessly. It today holds the roots for KRSMA’s destiny.

The laws of international winemaking don’t apply to India, and those of Nashik & Nandi Hills to Hampi Hills. The rains are erratic in this rather arid area, with barely anything to support in miles. KRSMA’s introduction to the world could’ve been with their 2010 vintage, but destiny and nature had other plans. Judging the resultant nectar with his pharmaceutical precision, Krishna deemed the wine unfit for drinking, subsequently denying its release. “We make wines that we like drinking, if we can’t drink it, we won’t release it” he says. And it’s this approach that’s bagged them numerous awards across the globe later. Being Guinness Book of World Records awarded marathoners, their approach is one of delayed gratification. They know it’s the silent hardwork that helps on the final day. The release of their better prepared 2011 Cabernet Sauvignon and 2012 Sauvignon Blanc in 2013 took oenophiles by surprise, with a fantastic release the following vintage too. The red was viscously smart, definitely way ahead of its time for India. The white was charming, pleasing, and as critics defined it, was ‘spring in a bottle’, which Uma cherishes as its fondest compliment. Very soon, they were pouring in culinary meccas in New York & Manhattan, earning themselves the righteous boast-worth glory. Call it Krishna’s precision, or Uma’s maternal care & adulation for her vines, KRSMA was igniting palates and minds across the world. 

2013 changed the rhythm at the winery while the crop just couldn’t justify the persona KRSMA’s  ‘reserve’ tittle. Soon, they moved to announce their second label, calling it K2, a more value-for-money proposition and a stepping foot upto the reserves. Even stronger a change came with the 2014 vintage, where the duo had to define KRSMA’s template and the two strong personalities clashed, with ultimately the cellarmaster having her way. Krishna was driven to achieve a Bordeaux-centric, restrained, and oak-oriented image for their Cabernet, while Uma was fascinated with the Napa Valley template that favoured the fruit, silky tannins, and approachability. His hands-off approach allowed Uma to toy with cellaring experiments which she cherishes and announces as one of her most prized vintages with noticeable glee.

While the story of KRSMA seems glorious, victorious, and all full of joys, it has presented many challenges and heartbreaks. Holding a Master’s degree in Soil Microbiology and Plant Pathology, Uma understand that a wine is a result of what the vineyards yield. Water scarcity in Hampi Hills is a real issue. To overcome that, KRSMA built lots of dams, charged borwells around the vineyards, and invested in rainwater harvesting. All this, just to control the soil pH and keep the vines alive. And soon they learnt how to use these arid conditions to their favour, that now demand very little intervention, and presents near absence of pest & fungal threats. Since 2014, vineyards have seen nearly 5 years of drought. However, thanks to this early change in vineyard practices, wines have been nothing short of being impressive and inspirational. The recently released 2016 vintage is testimony of that. “Viticulturally, it’s been a very challenging year, demanding a lot of personal study, trails and errors, and rejigging our harvest cycles, preponing them by a few months to harvest in cooler conditions”, she recalls. And the liquid, thus, shows unprecedented confidence and intellect. Though already 5 years old now, it’s still a baby in the cot and demands its juror the exact further patience in laying it down for another half decade the way the Chigurupati’s have maintained reaching upto the fruits it bears. “Any experiment takes about 4 years to show their impact. And now we also have a better understanding of the area and our soils. Mother Nature has shown lot of affection towards KRSMA. The last 2 years we’ve been very happy and able to change the texture of the soil, and generate microbes”, she says.

Experiments and learnings continue. KRSMA has virtually pulled out all of their Sangiovese, Chardonnay, and Chenin Blanc vines. Though Sangiovese has been the favourite for many, including myself, their Chardonnay was a rockstar. It earn’t them their first Double Gold early at the 2013 China Wine & Spirits Awards. Yet, they were just not conducive for the time. While the Chenin is gone for good, new strains have been brought in to revive other varietals, of which few will bear fruits in 2021, marking a new beginning for them all over again! In an intimate disclosure, the Chigurupati’s are now eyeing new horizons with blends and bubbles. “I would like to try blending our already proficient Cabernet and Syrah, and would love to revive our fallen varietals. We’ve experimented with Merlot and Cabernet Franc in the vineyards and give them anther chance. And, a KRSMA sparkling might be a reality soon too”, Uma reveals. 

KRSMA has turned a page in India’s winemaking history, fuelled more with passion than commercial desires. While a new brand needs big marketing push, KRSMA has one built without much efforts. While what was happening in the background was tricky, the grapes have spoke and shone for themselves. Presenting many ‘firsts’ – first in Hampi, first reserve only wines, first vintage oriented labels, first magnums, first Indians to make it to the coveted World’s 50 Best Vineyards – there’s lot more that’s expected and desired from the team. And with the way the duo have proven their mettle in their other professional pursuits, and in marathoning, their a promise in their personality to bring more glory to the potential of Indian wines and the region. Indian palates deserve better, and KRSMA seem to be leaving no stone unturned in achieving just that…

 

First published in Sommelier India The Wine Magazine

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Sula Vineyards – Ever Onwards

The near-synonym for Indian wines, Sula Vineyards, India’s largest winery, has been quietly shifting gears. It has consolidated its place as a market leader which has allowed them to focus on fine-tuning their engines and developing a new image. It shows in the confident renewed personality of their reserve wines, and new labels that are quickly gathering space on the shelves. In a conversation with Gregoire Verdin, Brand Ambassador, Karan Vasani, Chief Winemaker, and Rajeev Samant, the big CEO, Sommelier Gagan SHARMA learns about how Sula is making a subtle transition.

SULA VINEYARDS MAKING THE SHIFT – CLASSIC TO PREMIUM

Sula has always carried a new world image with more youthful, vivacious wines, much like Rajeev’s personality. For many, this wine with brilliantly smiling sun on its label is their first introduction to the drink in the country. It’s their iconic classic range that does the magic, and strives, successfully so, to deliver aromatic and fruity wines, some sporadically having a tinge of sweetness. Deriving from this success, over the past few years, Sula has now moved its focus towards adding new avatars of what they’ve already have mastered. Gregoire and Karan concur that the winemaking team has been pushed to leave no stone unturned in cashing the opportunity to experiment earnestly. And they’ve happily put on their mad scientist hats and gone hunting for more styles and expressions.

On my last trip to the winery in March, Karan did whisper toying with techniques like Carbonic Maceration, commonly used in Beaujolais and Rhone Valley reds, Appassimento from Veneto, and moving some of the bubblies to Charmat or tank-fermentation. This free-spirited experimentation has brought many new exciting labels to life. Country’s first semi-sweet Sparkling Shiraz, is hard to put down, Sula’s first oak-aged reserve white, Dindori Chardonnay, is a matured quaffer, and ‘The Source’ label wines that’re classy, suave, and intellectual.

SULA VINEYARDS OPENS THE SOURCE

The Source has been the newest range to join Sula’s family. The name comes from their namesake heritage winery resort, also country’s first, with a Tuscan twist. Their Grenache Rose, also India’s first, and the Sauvignon Blanc are the alter-egos of the classic range’s renditions. Its labels are a departure from the traditional eye-catching Sula visual identity and are best described as subtle and ‘old-school’.

Karan shares that The Source was always to be an out-of-the-box, more serious expression, with Rajeev confirming that. “It’ll remain a separate entity, just as it is right now. There’s no current need to add another wine under Sula’s umbrella”, he says. Gregoire humbly designates it as Sula’s ode its craftsmen. Wines carry a French style and spirit with the Grenache Rose being utterly dry, vibrant, made in a fruit-forward Provence style. Sauvignon Blanc is expressive, astute, austere, and has some influence of oak to further add to the personality. Rajeev adds “our Sauvignon Blanc style has changed. It use to be grassy, people thought that’s the style. Now, it’s moved to a reductive style, with more tropical flavours that’s made it more consumer friendly and enjoyable”.

Gregoire Verdin, Karan Vasani, Gagan Sharma at Sula Vineyards

These two wines have also pleasantly surprised winery’s critics, who often complained that Sula isn’t doing enough to reinvent itself and that its wines are sweet, and not serious. The Source is a classy alter-ego, I say!! Placing it in the INR1000+ price-point, considered premium in most markets, is also a statement. Yet, I’d call it ‘an affordable premium’ as the quality does justify the price tag. And to complete the brigade, soon there’ll be a red joining in!! A character-driven gentle Cabernet Sauvignon with a touch of oak.

SULA VINEYARDS’ RASA & DINDORI PROMISES AND DELIVERS

The wines that created the strongest memories from my last visit to Sula were from their reserve portfolio. The three RASA reds and especially the Dindori Chardonnay have come along well. Sula’s Rasa is an absolute blockbuster amongst any serious wine drinker with a keen eye from Indian reds. Though I loved their Syrah, I’d still place my bets on their Cabernet’s future. Karan was very generous to serve us the first ever vintage of Rasa Cabernet Sauvignon from 2012, a well-aged beauty now, that was holding perfectly well, with barely any flaws to pick. Now back in 2012, most would refrain from commenting on the promise of Indian reserve wines. Looking at that from today’s wisdom, this 8 year old Rasa Cabernet was way ahead of its time and a testament to what Indian wines were set to achieve.

Rajeev owes this change to better vineyards management techniques they’ve adopted over the years. Further, he says “it’s the sum of small changes throughout the production chain. Earlier our reds were discouraged as smokey, having tar flavours, (he chuckled when I shared we called it the ‘

’), all of that is gone. Our barrel hygiene and strategy has improved. A simple step like taking the barrel room temperature down from 19C to 14C has made the wines so different. There’s been a big up in our Rasa wines from the past and we’ll stay bullish with them”.

Gregoire, who is also the Head of Tastings, proudly shares that consumers are more and more excited about their premium reds. He returns more confident from each customer interaction, further confirming the direction of their efforts. He’s also placing his confidence in the INR1000-1500 range which he reckons holds the greatest promise in the coming years. Karan gingerly mentions most of his new projects are in that segment as well. Winds of change are flowing…

Karan Addressing #IndianVineTrail Attendees
Tasting An Ocean Of Wines Amidst An Ocean Of Barrels

SULA VINEYARDS WEIGHS IN ON ITS WHITES

As to the whites, Indian wines have proved it’s a segment that’s only bound to get better. Anyone who’s been relishing Indian whites over the decade can testify about their quality’s progression. However, Rajeev still sees it in its youth with an upwards curve. “The quality has and will continue to get better. It has now reached the point where our wines would be at par with the same varietal of any international wine, or often better. We’ve seen that specially about our whites. Our 2020 Chenin Blanc is easily our best ever produce”.

At the time of my visit, not only was I pleasantly surprised with Dindori Chardonnay, what was further impacting with what Karan mentioned next. “We’ve never had a barrel program for our whites, but now we do. We’ve specially designed these barrels and their regimen”. When the market leader like Sula makes a move like this, it’s a confirmation of where the market is headed. And the wines surely justify that. Dindori Chardonnay has the fruit-forward appeal with ample citrus and a playful oak, which pleasantly makes its presence felt, binding the subtle nuances wine together. And at INR1250, it provides the confidence to experiment with.

Kendal Jackson Vintners Reserve was our inspiration for Dindori Chardonnay, the most selling reserve Chardonnay in America”, Rajeev confirms. It isn’t an expensive drop, and definitely resonates with a majority of drinkers. “A good Chardonnay doesn’t have to be expensive, overtly oaky, or have to age for years, it has to be enjoyable” aptly comments Karan who is proud of how the wine has turned out to be and progressed. With The Source Sauvignon also flirting with oak, Sula is bound to have more such expressions.

ALL WORK NO PLAY – NOT AT SULA VINEYARDS

But it isn’t all serious and play at Sula. As the new reserve and premium range labels are being added to their offerings, so are some playful ones. Sparkling Shiraz is a young gun that’s making Sula’s portfolio look attractive and confident. A semi-sweet, sparkling red wine is what India was missing, and Sula has done justice to it from the get-go. The packaging is utterly attractive and you one’s eyes stop at it for sure! On enquiring why this wine, Karan and Rajeev concurred on their ideas. “As a producer, you have to constantly move forward, which doesn’t necessarily mean adding new varietals.

At Sula, we keep working at the need to make wine drinking as accessible as possible. And the Sparkling Shiraz does just that. It’s big in Australia, and it’ll be big in India too”, says Rajeev with excitement. Karan simplifies, “We make a great Shiraz, our Shiraz Cabernet is India’s most sold wine. When it came to exploring what else we could do with the varietal, this definitely was an option, so why not?” It may be too early to say if India will accept this wine-style or not, but it surely is making the right noise in the market.

ANOTHER FIRST – SULA VINEYARDS’ DIA WINE-IN-A-CAN

What is also making a ton of noise and catching the eyeballs is Sula’s Dia wine-in-a-can. Launched at the SulaFest 2020, it was an instant crowd pleaser. Dia, is their 8 year old brand that has gotten a facelift and a new packaging. 330ml can at 8% alcohol, fruity, off-dry, with an accessible INR180 price tag, it checks all the boxes to be picked up and had a go at. Gregoire jumps in to confirm that they’ve been receiving a good response from the markets and the product looks promising. Things have slowed down, due to the pandemic, and the best is yet to come.

Dia Wine In A Can By Sula Vineyards

Karan says it is a product that Sula is very serious about, and it shows from their INR1 crore investment in their canning line. For Rajeev, introducing wine-in-a-can in India makes total sense. It’s not only necessitates ease of drinking, it’s also a way to expand the wine market with the ease of carrying, its utility, service, drinking, approachability and more.

Personally, I’m not a sceptic and I won’t play safe by sitting in the wait-and-watch boat. It’s a trend that’ll stay and prosper in India. However, it shouldn’t be restrict only for playful, sugar-laden wines, opportunities are plentiful and must open to serious wines as well.

WHAT’S THE VERDICT

With the wind following in Sula’s favour, which even the pandemic couldn’t alter, this army seem to be marching on, and favourably so. I’ve been an advocate of Indian wines for long, and proudly so. With a big banner, big productions, comes big challenges, which Sula has not only faced but thrived through. The change in their quality is apparent and the confidence in their new liquids speaks of the niches it’ll carve for the brand. It’s no more the time to wait and watch, but go grab one and relish…

 

First published in Sommelier India Wine Magazine in January, 2021